疫情影響下日本電視演播廳節目的製作觀察。

這是一檔三個主持人同台放送的節目。

乍看之下,這是一檔很正常的講談節目,三個主持人並排坐在主播台前面對著觀眾說話。然而在這病毒橫飛的2020年,哪怕是2021年的跨年節目也得祭出不一樣的應對措施。

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Can the V-Mic D4 handle a Yamaha Grand?

Surprise to find an extension cable that doesn’t add noise to the signal path.

What if all you have is a pair of Deity Microphone V-Mic D4 Duo and you need to record and shoot some (not-so) awesome piano? I will try to figure out an answer.

Problem 1: mic may not be able to handle the high dynamic range;

Problem 2: optimal mic placement may not be the optimal camera angle;

Problem 3: the stereo mic array is very close together but not pointing at the same direction, this is a physical limitation, and I will have to figure out how;

This didn’t work.

Putting the entire rig into a piano is a bad idea, it is a horrible idea, don’t even try it!

#veryserioustest

Sigma FP Test Shots with the Nikkor lenses.

Orange and Teal

Took me a while to acquire a Nikon G mount to Leica L mount adapter; the leica mounts came first, as always. But the Nikkor lenses took me by surprise — not only are the larger barrel sizes made it easier for me to manually focus, the slighly larger lens makes the camera system a lot more balanced.

I will touch on these on my VLOG.

These two screengrabs are direct-from-camera files, recorded via HDMI to a Blackmagic Design Video Assist recorder, with Prores RT codec; not the best in the world, but looks pleasant and promising.

My widest Nikkor is a 10.5mm crop-sensor fisheye lens, subsequently 12mm, 20mm, 24mm, 45mm, 50mm, 80mm and a 105mm micro.

Cinemic colour

IMHO. Nikkor and Leica are still the best.

A Guy Who Asks Me for a Story and a Girl Who Tells Me a Story.

developing a mini series is tough.

This is one of those projects that was initiated by someone who asks if I can develop a story so he can help produce it but later turns out to be just another empty promise. I have met many of these people, and along the way, new ideas were spawned, money spent, time invested, and efforts made, but they disappear in thin air.

Not being in Malaysia for almost 15 years has its disadvantage; it takes time to identify trustworthy people, and sometimes people can be really convincing. “My company works very closely with XYZ, this will definitely work!” they often tell you.

But they are either not in the position to make decisions, or they are just fishing for new ideas.

Though like many film projects, what’s meant to be often are not to be. As storytellers, we should just focus on the story, and when all the stars are aligned properly, miracles will happen.

2020 Golden Horse Award

If Only Pigs Can Fly…

Some say it’s the pinnacle of Chinese Cinema, cheering for it while jeering at the other film festival across the Strait, but a dead silence among others, those who take a slightly different approach to the world of cinema indeed will have a different view, and their silence is deafening.

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Make Movies, Not Wars!

13 more days and counting down to the political drama at the White House. This has been my primary source of entertainment for the last 9 months — yes, life under lockdown is painful.

The Pandemic has given me a new revelation in how many of us make a living, mine especially. I live in Kuala Lumpur, but I have not derived a single cent of income in Malaysia for the last 14 years. Being lockdown in Malaysia has amplified this fact more than tenfold, and the feeling is painful.
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Where’s the Cavalry When We Need Them?

TIFAF Director’s Salon for Upcoming Talents

Where’s The Sincerity?

When MyCreative announced a grant as part of it’s initiative to help reboot the film industry, I was elated to see a quasi government body finally doing something to help small production houses and projects to at least make the first steps towards producing a film.

Continue reading “Where’s the Cavalry When We Need Them?”