Took me a while to acquire a Nikon G mount to Leica L mount adapter; the leica mounts came first, as always. But the Nikkor lenses took me by surprise — not only are the larger barrel sizes made it easier for me to manually focus, the slighly larger lens makes the camera system a lot more balanced.
I will touch on these on my VLOG.
These two screengrabs are direct-from-camera files, recorded via HDMI to a Blackmagic Design Video Assist recorder, with Prores RT codec; not the best in the world, but looks pleasant and promising.
My widest Nikkor is a 10.5mm crop-sensor fisheye lens, subsequently 12mm, 20mm, 24mm, 45mm, 50mm, 80mm and a 105mm micro.
This is one of those projects that was initiated by someone who asks if I can develop a story so he can help produce it but later turns out to be just another empty promise. I have met many of these people, and along the way, new ideas were spawned, money spent, time invested, and efforts made, but they disappear in thin air.
Not being in Malaysia for almost 15 years has its disadvantage; it takes time to identify trustworthy people, and sometimes people can be really convincing. “My company works very closely with XYZ, this will definitely work!” they often tell you.
But they are either not in the position to make decisions, or they are just fishing for new ideas.
Though like many film projects, what’s meant to be often are not to be. As storytellers, we should just focus on the story, and when all the stars are aligned properly, miracles will happen.
Some say it’s the pinnacle of Chinese Cinema, cheering for it while jeering at the other film festival across the Strait, but a dead silence among others, those who take a slightly different approach to the world of cinema indeed will have a different view, and their silence is deafening.
13 more days and counting down to the political drama at the White House. This has been my primary source of entertainment for the last 9 months — yes, life under lockdown is painful.
The Pandemic has given me a new revelation in how many of us make a living, mine especially. I live in Kuala Lumpur, but I have not derived a single cent of income in Malaysia for the last 14 years. Being lockdown in Malaysia has amplified this fact more than tenfold, and the feeling is painful. Continue reading “Make Movies, Not Wars!”
When MyCreative announced a grant as part of it’s initiative to help reboot the film industry, I was elated to see a quasi government body finally doing something to help small production houses and projects to at least make the first steps towards producing a film.